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the partially understood
250 (1973)
or a child’s playing ball caught between light and shadow
At around the same time Masahisa Fukase was producing his post-war masterpiece Karasu (Ravens)
How is visibility achieved beyond the consensual categories of the mass media and the commodification of art
Rowing a Tetrapod Trans the partially understoodRowing a Tetrapod brings together a fluctuating array of black and white photographs made in multiple locations in the United States and Japan, between which countries emerging artist Fumi Ishino has resided. The work channels his nomadic experience of moving back and forth between two distinct cultures, with divergent social norms and values. Following an aleatoric structure, the book presents images as diverse as Japanese school children, American
